We can't claim that Rome has been the site of such a "unique visual language or attitude"; we just don't know enough about the art form. That said, we've never seen or heard of anything like the giant graffiti mural/posters, applied like wallpaper to buildings in the quartiere of Garbatella last spring. What we do know, having spent some time in New York City and Los Angeles as well as Rome, is that Rome seems to have MORE graffiti of all levels--the good, the bad, and the ugly--than either of those cities. For good or bad--or ugly--it's everywhere.
We've posted several times about the good stuff, and we'll leave it others with more knowledge of the international scene to make Rome's claim to inclusion as a great center of graffiti art.
Our purpose here is limited. We're offering a "typical" Roman wall on the bad and ugly end of the scale. This one is located in the suburb of Centocelle, about 20 minutes from the Center. There are hundreds, perhaps thousands of such walls in Rome, crammed with tags (signatures of graffiti artists), miscellaneous markings and scraps of posters old and new. Some of the academics writing about graffiti argue that however ugly the ugly stuff is, it's essential--like a drummer learning the rudiments, a pianist practicing scales, or a skater stumbling through an early set of figures. You can't have the good--graffiti as art--without first having the ugly, then the bad. We're not sure that's true, but we've come to appreciate the energy and chaotic power of "ugly" walls such as this one.
And maybe next time Rome will make the cut.
Bill
Title: Graffiti: the Good, the Bad, and the Ugly. MOCA, and Rome
Rating: 100% based on 99998 ratings. 5 user reviews.
Author 1:02 AM
Rating: 100% based on 99998 ratings. 5 user reviews.
Author 1:02 AM
